A realistic full-body portrait of a deer standing alone in a Japanese university campus, brutalist concrete buildings in the background, empty corridors and institutional geometry, early 2000s experimental music video atmosphere, reminiscent of LFO "Freak". Irregular, asymmetrical shockwaves run across the deer’s entire body, propagating through its skin and musculature as if it were reinforced concrete under high-energy internal stress. The shockwaves follow organic, non-repeating stress paths, branching unpredictably across neck, torso, legs, and face. The material behaves like dense mineral matter constrained by living animal anatomy: skin briefly liquefies and rebounds, elastic deformation aligned with real muscle groups and tendons, fine micro-fracture lines appear along stress points and immediately seal, no collapse, no damage, no violence. Natural fur and skin texture preserved, visible muscle flow, bone landmarks, and anatomical realism maintained. Subtle layers of colorful pixels appear along shockwave paths, like early digital compression artifacts. Minimal motion-tracking symbols and calibration markers hover near joints and stress points. Thin, translucent, inflatable membrane-like forms briefly emerge over parts of the body, stretching and bulging along the shockwaves before fading. The deer remains upright, still, alert yet calm. Directional light grazes the body and architecture, revealing surface displacement, anatomical volume, and material tension. Ultra-sharp focus, museum-grade lighting. Natural color palette with restrained cyan, magenta, and yellow accents. Early digital video austerity, hyper-realistic, grounded.