In the explosive surreal style of Jean-Michel Basquiat, Yoshitaka Amano, and Hajime Sorayama, chaotic painterly energy, expressive graffiti lines and metallic reflections. A colossal human head dominates the scene, its mouth wide open like a volcanic crater. From deep inside the mouth, countless trains, rails, smoke, microphones, megaphones, flying papers, trophies, rockets, and random objects are erupting outward, all spewing from the throat in a massive swirl of chaos and speed. The trains burst directly out through the lips, not below them they shoot toward the viewer like a storm, engines glowing red-hot, wheels spinning. The tongue forms a collapsing rail bridge, breaking apart under the force; each train car morphs into a different "bragging symbol" gold crowns, giant mouths shouting words, fake medals, lightning bolts. Around the eruption, tiny people and cameras are thrown backward by the blast. The composition is vertical and cinematic, low angle perspective looking up, capturing the moment of explosive release from the mouth cavity. Smoke, fire, and graffiti words fill the upper half; the lower half is the head and ground chaos. Colors: lava red, ivory, asphalt black, cobalt blue graffiti, metallic highlights. Mixed-media texture Basquiat-style graffiti scribbles, Amano-style flowing smoke, Sorayama-style metallic gleam on trains and teeth, energetic, absurd, humorous, and overwhelming. No text, no watermark, no photorealism painterly, surreal, expressive chaos.